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No. 41191

Château · France

Château de Hauteville

France18th centuryFirst known reference: 1350
ChâteauRuinPartially restored

No. 41191 · 48.426 N, 0.397 W

Quick summary

Château de Hauteville is a château in France, listed as reference No. 41191.

Château de Hauteville is a château in France with origins associated with the 18th century.

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Château de Hauteville, in Hauteville, France, is a French seigneurial residence whose principal rebuilding dates to the late 18th century and which belonged to successive local noble families. Evolving on a manorial estate that belonged to medieval and early modern lords, the site formed part of the local noble landscape and became notable for both its late‑century rebuilding and the violent episodes it suffered during the French Revolution.

The estate originated in the medieval and early modern period under a line of local lords who bore the name Livet. Before 1350 Jean de Livet endowed a rent so he could be buried at Languédias. In the 15th and 16th centuries the house passed through members of the Hauteville family (Jean d’Hauteville in 1407; Gilles d’Hauteville, who died in 1478; Jean II, d. 1501; and Jean III, active in 1508). Jean III founded a chapel dedicated to the Virgin in 1508. In 1526 Lancelotte d’Hauteville brought the domain into the d’Arquenay family by marriage. By 1581 Nicolas d’Angennes was recorded as owner, and from about 1586 the property belonged to the du Hardas family after purchase by Thomas du Hardas.

In the later 18th century Charles du Hardas (1743–1819) commissioned a new château and work began in 1783. By the outbreak of the French Revolution in 1789 the main structure had been substantially advanced, but economic and social conditions in the province prevented completion. The château remained the focal point of the estate through the Revolution and the century that followed.

The château suffered repeated revolutionary violence. On 31 July 1789 crowds attacked the house, searched the mansion, and burned its cartulary on bonfires. The building was pillaged, and furniture, doors, and windows were sold at low prices. It was threatened again in 1790 and searched repeatedly, notably on 26 June 1791 and 14 July 1793. During the revolutionary period the site was converted for use as a saltpeter production site, and on 27 July 1799 Royalist insurgents known as Chouans removed lead from the building, carrying much of it to nearby Lassay.

Ownership remained within the du Hardas lineage in the 19th century and passed by inheritance to Mélanie Prudhomme de la Boussinière. In 1882 the estate came to Émilie de Pérusse des Cars and Count Bertrand de Montesquiou‑Fézensac; Émilie died at Hauteville in 1901 and Bertrand in 1902, and Bertrand was buried at the chapel of Hauteville in the cemetery of Charchigné. Mathilde de Montesquiou‑Fézensac inherited the property and married Charles‑Marie Widor in 1920.

On 13 November 1922 a fire began in the attics near a central‑heating pipe and spread through the château. Over roughly three weeks the conflagration consumed most of the main house despite firefighting efforts; the blaze was finally halted at the chapel in the left wing, while the right wing was partly preserved. Five people were wounded while fighting the fire and many movable objects and works of art were lost.

After World War II the estate was broken up and its farms were sold individually. Many tenant farmers exercised rights granted under the 1945 tenancy statute (the statute of fermage), becoming long‑term lessees and later purchasing their farms. The estate’s formal double beech avenue was felled in 1961 and a nearby sand quarry later altered the surrounding landscape. In the 1960s the ruined château and its large dependencies passed to Roger Bordelet; his family business passed to Éric Bordelet in 1992. The owners later sought to stabilise and reuse parts of the property, receiving a departmental subsidy in 2013 for a processing and packaging building, and in 2014 they cleared interior spaces and propped openings with the aim of installing cellars, storage and a tasting room in the château and adapting the vaulted cellars for calvados production.

Condition

The château stood at the head of a long formal approach, an avenue about 800 metres long attributed to André Le Nôtre, the famous 17th‑century garden designer. That avenue led to a five‑step perron, a broad external stair, which reached the principal corps de logis, creating a deliberately ceremonial approach to the house.

The main block as completed in the late 18th century rose to three storeys and extended approximately 40 metres along its principal façade. The central section was marked by a triangular pediment bearing the du Hardas coats of arms and cipher, and it was topped by a belvedere. Irregular pavilions flanked each end of the corps de logis to close the composition and give a balanced, classical silhouette.

Inside the house a large central vestibule opened to reception rooms. The vestibule was articulated by columns whose capitals end in a curled, leaf‑like motif. A vast salon featured carved wooden paneling, known as boiserie, and the principal reception rooms had high ceilings, while private apartments occupied the upper floor. Sculptural work for the decorative program was entrusted to an artist who had also worked at Craon, contributing carved detail to the interior ornament.

A private chapel founded in 1508 in honor of the Virgin lay in the left wing and remained an important feature of the complex; during the 1922 fire the spread of flames stopped at this chapel. Roof coverings and lead elements were removed at the end of the 18th century by insurgents, and the removal of roofing materials contributed to later vulnerability.

Following the 1922 fire the main house was largely destroyed. The right wing survived in part, many outbuildings and dependencies still stood into the 1960s, and the vaulted cellars remained in good condition, covering an area reported at around 400 square metres. In 2014 the château interior had been cleared and openings shored to stabilise the ruins, with the vaulted cellars identified for reuse as production and storage spaces. The avenue that once framed the approach had lost its signature double beech hedge when that screen was felled in 1961, altering the original landscape setting.

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